Lately, I’ve been folding laundry while listening to the Vincent Price radio drama The Price of Fear. The episodes are excellently written, and often based on a well-known horror short story.
Not only does Price narrarate each episode, but he’s been folded into the adaptations as a character. Well acted, and fun to listen to. And each episode is the perfect length for a load of laundry!
So far, I’ve listened to four episodes, and I’m really enjoying it.
You can find the episodes at the Internet Archive.
Here’s another link, which includes short descriptions of each episode, as well.
Over on Dark Tales Sleuth, I’ve revisited a tale from one of the Vincent Price’s Caedmon spoken word recordings that I did an attribution search on way back when.
One of the pieces that Vincent Price reads on his 1974 spooky tales album, A Graveyard of Ghost Tales, is a story called “The Ghostly Hand of Spital House,” by Dorothy Gladys Spicer. This is a fun and engaging tale about some bandits who try to rob an inn with the help of a hand of glory : a candle (or candle-holder) made from the hand of a hanged man. Lighting the hand of glory puts all the sleeping occupants of the house into an even deeper sleep, from which they don’t awaken until the hand is extinguished. You can see how this would be a (cough) handy tool for robbers and catburglars to have.
In the post, I also talk about a supposed pre-Colonial Mexican analog to the hand of glory as a housebreaker’s tool: the left arm and hand of a woman who died in first childbirth. While the source for that piece of folklore was not exactly disinterested (it was written by a 17th century Spanish friar), the story does in a way tie in with how Aztecs regarded women who died in childbirth, as equivalent to warriors who die in battle.
Have I intrigued you yet? If you’d like to read some earlier versions of the Spital House legend, give another listen to Vincent Price’s spooky reading, and learn how this relates to aspects of Aztec mythology, then head on over to Dark Tales Sleuth, and check out The Legend of Old Spital Inn.
Featured Image: Detail of Jacob meets magician Hermogenes, Pieter van der Hayden, after Breughel (1565). Source: Wikimedia.
Illustration of Hand of Glory, annotated as from The Grimoire of Pope Honorius Grimorium Verum Petit Albert by Albertus Parvus Lucius. Source: Wikimedia.
In my last post, I tracked down the probable literary sources for A Graveyard of Ghost Tales (Caedmon Records, 1974), an LP of ghost stories and other goodies read by Vincent Price. In this post, I do the same thing for Tales of Witches, Ghosts and Goblins (Caedmon Records, 1972), also read by Vincent Price.
As with Graveyard, the stories Price reads here are folktales, not horror. There are a couple of “recipes,” some verses, and a passage from an account of a witch trial. Three stories are again from Carl Carmer, just as lovely and romantic as the pieces on the other LP. “The Smoker” was delightful, and “Gobbleknoll” was fun, too.
In his readings, Price only gives the authorship of one piece, the first verse of “The Broomstick Train” by Oliver Wendell Holmes. So here’s my educated guess at the rest. Thanks again to Jenny Ashford from the Facebook group Alone with the Horrors: Horror Fiction for her research. Again, I haven’t read all of the texts mentioned below, so these attributions aren’t guaranteed. But I’m pretty sure they’re right.
Caedmon Records, founded in 1952, was the first company to sell spoken word recordings to the public; the predecessors of the audiobook, you might say. I spent most of this past Sunday afternoon listening to some wonderful Caedmon recordings from the 1970s, of ghost tales and fantasies read by Vincent Price and Boris Karloff. They were the perfect way to relieve the tedium of folding laundry and other chores.
The first one I listened to was A Graveyard of Ghost Tales (1974), read by Vincent Price. You can (at the moment, anyway) find the entire LP on YouTube; I’ve linked to it at the bottom of the post. Price’s smooth and expressive voice is always a pleasure to listen to, and the stories were engaging, more like ghostly folktales or urban legends than horror stories, but that suited me just fine. I especially liked “The Ghostly Hand of Spital House.” Price’s rendition of “The Leg of Gold” was fun to listen to, as well.
I was surprised, though, that neither this LP nor the second one I listened to (also read by Price) gave any credits for the readings. The listing for the album on Discogs gives editing and illustration credits, but very little information about who wrote the pieces that Price read. I couldn’t find any information on literary sources anywhere online. So I decided to do a little digging on my own.