Vincent Price reads Tales of Witches, Ghosts and Goblins

In my last post, I tracked down the probable literary sources for A Graveyard of Ghost Tales (Caedmon Records, 1974), an LP of ghost stories and other goodies read by Vincent Price. In this post, I do the same thing for Tales of Witches, Ghosts and Goblins (Caedmon Records, 1972), also read by Vincent Price.

Tales of Witches, Ghosts and Goblins, Vincent Price

As with Graveyard, the stories Price reads here are folktales, not horror. There are a couple of “recipes,” some verses, and a passage from an account of a witch trial. Three stories are again from Carl Carmer, just as lovely and romantic as the pieces on the other LP. “The Smoker” was delightful, and “Gobbleknoll” was fun, too.

In his readings, Price only gives the authorship of one piece, the first verse of “The Broomstick Train” by Oliver Wendell Holmes. So here’s my educated guess at the rest. Thanks again to Jenny Ashford from the Facebook group Alone with the Horrors: Horror Fiction for her research. Again, I haven’t read all of the texts mentioned below, so these attributions aren’t guaranteed. But I’m pretty sure they’re right.

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Vincent Price reads A Graveyard of Ghost Tales

Caedmon Records, founded in 1952, was the first company to sell spoken word recordings to the public; the predecessors of the audiobook, you might say. I spent most of this past Sunday afternoon listening to some wonderful Caedmon recordings from the 1970s, of ghost tales and fantasies read by Vincent Price and Boris Karloff. They were the perfect way to relieve the tedium of folding laundry and other chores.

A Graveyard of Ghost Tales, Vincent Price

The first one I listened to was A Graveyard of Ghost Tales (1974), read by Vincent Price. You can (at the moment, anyway) find the entire LP on YouTube; I’ve linked to it at the bottom of the post. Price’s smooth and expressive voice is always a pleasure to listen to, and the stories were engaging, more like ghostly folktales or urban legends than horror stories, but that suited me just fine. I especially liked “The Ghostly Hand of Spital House.” Price’s rendition of “The Leg of Gold” was fun to listen to, as well.

I was surprised, though, that neither this LP nor the second one I listened to (also read by Price) gave any credits for the readings. The listing for the album on Discogs gives editing and illustration credits, but very little information about who wrote the pieces that Price read. I couldn’t find any information on literary sources anywhere online. So I decided to do a little digging on my own.

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