A Ghost’s Revenge

Today, a New Year’s Eve winter tale from Lettice Galbraith! Last year, I shared a Christmas tale of occult detection by this delightful author; this year’s story runs along more classical lines.

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Gerald Harrison was a skeptic about the supernatural, until he encountered Mallowby Rectory. Now it’s a race against time. Can he save his best friend before an angry ghost takes its New Year’s revenge?

You can read “A Ghost’s Revenge” here.

In general, I consider Lettice Galbraith’s ghost stories rather modern for their era, which is part of what makes her interesting to me. “A Ghost’s Revenge” is more traditional than much of her other work — it’s a good old-fashioned haunted house yarn. But it’s also energetic and suspenseful, and just a lot of fun to read. I hope you like it.

May you all stay dry and warm, and please enjoy the last winter tale for 2021! There will be one more, in 2022, before the Twelve Days of Christmas end.

Wishing everyone a Happy and healthy New Year.


A list (with links) of the winter tales I’ve shared in previous years is on my Winter Tales page.

Featured Image: New Years New Moon, Theodor Severin Kittelsen. Source: WikiArt

Illustration by Émile Bayard for Contes et romans populaires by Erckmann-Chatrian (1867). Source: Old Book Illustrations.

The Blue Room

This week’s Winter Tale is “The Blue Room“, the last known published fiction by the writer known as Lettice Galbraith. It appeared uncredited in Macmillan’s Magazine October 1897, and if it was indeed Ms. Galbraith’s last published short story (for she may also have been writing under other names), then it was a great way to wind up her writing career.

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Something is wrong with the Blue Room at Mertoun House. No one will say quite what, and several people have safely spent the night there. And yet the Mertouns keep the room unoccupied. Until one ill-fated Christmas evening….

You can read “The Blue Room” here.

I like this story for several reasons. First, it’s an interesting and well-written variation on the haunted room and occult investigation genres. Second, the “principal investigator” is a strong female character! Edith Erristoun attends Cambridge University, something still unusual for women at the time (in fact Cambridge didn’t actually grant degrees to women until 1948). She’s curious and brave, and her relationship with her fellow occult investigator is purely one of common intellectual interests, not romance. I can’t exactly say she doesn’t need rescuing, but her rescuer is also a woman: the narrator, Mrs. Marris, the housekeeper at Mertoun House.

And of course, like all of Lettice Galbraith’s stories, it’s a great read. I’ve noted before that Ms. Galbraith seems to touch more directly on sex-related topics than one might expect for her era; that’s kind of true for this story too, in a subtle way. So subtle that it took me two reads to notice.

But even it you don’t catch the allusion, it doesn’t diminish the pleasure of the tale. So grab a warm drink, curl up under your blanket, and enjoy!


A list (with links) of the winter tales I’ve shared in previous years is on my Winter Tales page.

I featured Lettice Galbraith in my Women of Folklore and the Fantastic series in September. You can read that post (with a link to her collection New Ghost Stories) here.

Images

Featured Image: A bed, Mikhail Vrubel (c. 1904). Source: WikiArt

Misty Outline of a Human Figure, Odilon Redon (1896). Illustration intended for La maison hantée by Edward Bulwer-Lytton. Not included in final publication. Source: Old Book Illustrations

Women Writers of Folklore and the Fantastic: Lettice Galbraith

Not a lot seems to be known about Lettice Galbraith. She published two short story collections (New Ghost Stories, and Pretty Miss Allington and other tales) as well as a novel(?) (Spin of the Coin) around 1893-1894. A further story from her pen came out in 1897, and then, as far as I know, nothing. I suppose we don’t even know if Lettice Galbraith is the author’s real name.

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I’m including Ms. Galbraith in my Women Writers of Folklore and the Fantastic series for New Ghost Stories (1893), a really delightful collection. The stories are crisp and well-paced, and are frequently more direct about unsavory topics like adultery, seduction, and suicide than one might expect in Victorian-era tales. The characters are generally well-fleshed out, and every story is quite different in its haunting, as well.

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