Two more translations! One by Juana Manuela Gorriti, and one by Emilia Pardo Bazán. This is a kind of matched pair: two stories about the tension between rational explanations and the desire to believe in the supernatural.
Many marvelous-seeming phenomena in the world are really quite natural; Sir Walter Scott dedicated an entire letter from his Letters on Demonology and Witchcraft to debunking ghost stories of this type. One such example is the tale of the dead club president’s ghost, which has a perfectly rational explanation.
As a story, though, the supernatural explanation is far more satisfying. And that may be the case with Gorriti’s and Pardo Bazán’s stories as well.
Featured Image: Mandrake. Folio 90 Folio 90 from the Naples Dioscurides (7th century). Source: Wikimedia
Today’s featured writer is Juana Manuela Gorriti (1818-1892), possibly the first published writer of fantasy in Latin America .
During her lifetime, she was also the most widely read woman writer in Latin America . I don’t honestly know how well known she is today, but she definitely deserves attention for (among other things) her contributions to gothic literature. In this post, I’ll talk about some of Gorriti’s gothic pieces, and share a translation of a short ghost story from her later writing.
Juana Manuela Gorriti came from a politically active family in Argentina. Her father, José Ignacio de Gorriti, was a hero of the Argentine war of independence from Spain, and a supporter of the Unitarian faction of Argentine politics . When the opposing Federalist faction overthrew the Unitarian government of Argentina, the Gorriti famiily escaped to Bolivia.
In Bolivia, Juana Manuela met and married Manuel Isidro Belzu, who eventually became President of Bolivia. The marriage was not happy, and Gorriti separated from Belzu and moved to Peru, where she began her literary life. She started a school, edited journals, and published not only in Peru, but in Chile and Argentina as well. While in Lima, she began to host tertulias, or salons, which were attended by prominent cultural and literary figures of the day, both men and women–especially women, for Gorriti was a feminist and encouraged women to join in the intellectual and political life of their countries.
In 1878 she returned to Argentina, establishing herself in the literary and cultural circles of her native country, while maintaining connections with the (many) notable women writers of the period from all over South America. She died in Buenos Aires in 1892.