Covering the second of Boris Karloff’s three anthologies of dark tales.
And the Darkness Falls is the second anthology of “terror tales” edited by Boris Karloff (with Edmund Speare’s assistance). It was published in 1946 by World Publishing, apparently to coincide with the release of the film Bedlam, Karloff’s third and final collaboration with producer Val Lewton (Cat People). While Tales of Terror is an anthology of mostly ghost stories, about half the stories in And the Darkness Falls have no supernatural element, but are naturalistic tales of the macabre. Reading it reminded me a little of an old Alfred Hitchcock anthology. This is not a bad thing; the Alfred Hitchcock paperbacks put out by Dell in the ’60s and ’70s were a staple at my local library when I was growing up, and I adored them.
And the Darkness Falls is a more ambitious and eclectic anthology than Tales of Terror: a whopping 69 stories and poems (Table of Contents here), each with a brief introduction by Karloff that gives biographical information about the author, and often a short rationale for the story’s selection, or its thematic connections with other stories in the book. The main criterion for inclusion in the anthology seems to be that the story be in some way dark. Karloff and Speare interpret the idea of dark broadly, leading to an interesting and diverse selection of tales. Karloff also wrote a short introduction to the entire anthology.